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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 72 results
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Juno
Jacopo Palma the Younger
16th century
Venus Combing Her Hair, from Galerie du Palais Royal
Jacques Bouillard
ca. 1788
Madonna and Child with St. Jerome and St. Francis, from "Principles of Drawing"
Jacopo Palma the Younger
1611
Studies of Arms, Shoulders and Hands
Giacomo Franco
1548–1628
The Tutelary Goddess of the City of Rome, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
Venus and Cupid, Galerie du Palais Royal
Henri Marais
1786–1808
Studies of Arms, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
Allegory of Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
1611
The Lamentation, from Theatrum Pictorium
Peeter van Lisebetten
1656–60
Seated Doctor of the Church Reading (Saint Ambrose or Saint Gregory)
Jacopo Palma the Younger
1600
Studies of Children, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
Frontispiece depicting Painting and Sculpture, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
Figure Studies: Seated Female Holding a Book, Two Heads of Bearded Men, Seated Male Nude, and Four Sketches for Christ Judging (recto); Studies for Cain Slaying Abel (verso)
Jacopo Palma the Younger
1548–1628
Descent from the Cross and Apparition of the Virgin, volume 2, plate 138 from "Monuments des Arts du Dessin"
Baron François Joseph Bosio
1829
Il vero modo et ordine per dissegnar tutte le parti et membra del corpo humano
Odoardo Fialetti
1608
Studies of Legs, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
Studies of Men's and Women's Torsos, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
St. Sebastian
Aegidius Sadeler II
1580–1612
The Tutelary Goddess of the City of Rome, from "Principles of Drawing"
Jacopo Palma the Younger
1611
'Regole per Imparar a Disegnar i corpi humani ... Giacomo Palma' Libro Primo (title page and 7 plates), bound together with Libro Secondo (title page and 11 plates)
Jacopo Palma the Younger
1636 (republished 1659)
Studies of Hands, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
Christ giving the keys to Saint Peter
Andrea Scacciati
1760s
Madonna and Child with St. Jerome and St. Francis, from "Principles of Drawing"
Jacopo Palma the Younger
1611
Laura, the Lady of Petrarch
Wenceslaus Hollar
1650
The Tutelary Goddess of the City of Rome, from "Principles of Drawing"
Jacopo Palma the Younger
1611
Delilah cutting Samson's Hair
Jacopo Palma the Younger
Various Figure Groups
Jacopo Palma the Younger
1548–1628
Doubting Thomas, from "Principles of Drawing"
Jacopo Palma the Younger
1611
Christ on the Cross with Mary, St. John, and Mary Magdalen
Raphael Sadeler I
1580–1600
Fame, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
Figure Studies: The Arrest of Christ?, Christ and the Canaanite Woman, Seated Male Figures, and Head of a Child (recto); Studies of an Arm, and of the Heads of an Old Man and Young Woman (verso)
Jacopo Palma the Younger
1548–1628
The Crucifixion
Jacopo Palma the Younger
Christ and the Woman Taken in Adultery, from Principles of Drawing
Jacopo Palma the Younger
1611
Studies of Men's Torsos, from Principles of Drawing
Jacopo Palma the Younger
republished in 1659
The Angels Mourning the Dead Body of Christ, from "Theatrum Pictorium"
Rombout Eynhoudts
1656–60
The Holy Family
Hendrik Danckerts
mid–late17th century
Seated Bishop Holding a Book
Jacopo Palma the Younger
ca. 1600
Judith placing the head of Holofernes onto a cloth held by another female figure, the foreshortened body of Holofernes gushes with blood from the neck
Jacopo Palma the Younger
ca. 1570–1628
(XXI) Raccolta di Alcuni Disegni del Barberi da Cento detto il Guernico, incisi in Rame, e presentati al singolar merito del Sig. Tommaso Jenkins pittore, ed accademico di S. Luca, in atto di respetto e d'amicizia dall'architetto e suo coaccademio: Gio. Battista Piranesi (Collection of several drawings after Barbieri da Cento (known as Guercino) etched on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi); (XXII) Schola Italica Picturae
Giovanni Battista Piranesi
1764–73
Sheet of studies with St. Jerome, seated at right and resting his right forearm on a book, at left an ecclesiastical figure wearing a cope and miter, and at bottom two putti
Jacopo Palma the Younger
ca. 1570–1628